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Director - Fritz Lang
Writer - Fritz Lang and Thea Von Harbou
Cast Character
Peter Lorre ... Hans Beckert
Ellen Widman ... Frau Beckman
Ing Landgut ... Elsie Beckman
Otto Wernicke ... Kommissar Lohmann
Theodor Loos ... Kommissar Groeber
M begins with a circle of children playing a game warning of a nasty old man in black who will come to chop them up. A woman yells at them from the balcony to stop singing that song. A little girl plays with a ball on the street and bounces it on a reward sign of the murder of Klaus Klawitzky and his sister Klara. A shadow emerges on the poster asking the girl what her name is - she says Elsie Beckman. He buys her a balloon of a figure meanwhile her mother calls to her outside her apartment. A rolling ball outside and balloon stuck in the power lines shows her fate after meeting the mysterious stranger.
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The murderer's article is shown on the front page. Two politicians argue whether his article should even be shown causing fear for the citizens. They try take to fingerprints but are unsuccessful. They blow up the fingerprint bringing in a graphologist to examine it. Looking at his handwriting they see his broken letters determining he has an actor's personality and he has a strong and pathological sexuality. They do a primitive form of handwriting analysis. They find empty candy wrappings and setup a radius to investigate the serial killer. They search everywhere proving their investigation fruitless. Police search the forest and cheap hotels and check identities of vagrants. Police investigations prove bad business for bars as customers flee. The police demand to see their papers. Anyone without papers goes to police headquarters. The police apprehend a multitude of guns, brass knuckles, flasks, watches, burglar drills and wallets from people in the bar. Everyone is a suspect. Even the criminals are angry as it proves a detriment for business with police looking everywhere for the killer. There is an interesting shot as the camera dollies in to a heated discussion of the killer to build tension and dollies out once the tension subsides. Once rational conversation takes over the camera is at rest.
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The police desperation heightens as they hire unemployed union workers to patrol certain streets. They obtain a list of all mental patients who have been recently released. One police officer goes into a possible suspect's home to try to get a writing sample or pen that had the same color the killer used. A great shot has Hans Beckert, the killer, looking in the window of a storefront with the reflection of a fractured diamond around his face. This shows his fractured state of mind. He sees a little girl in the reflection of a diamond mirror and almost faints. When she is near another storefront window there is a clever dropping arrow and spinning circle Fritz Lang employs to hint at sexual penetration.
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The mob throws Hans into a cellar and in a wide pan shot 200 people look at him. The blind man acutely hears his voice, recognized it and says their is no mistake. When shows the pictures of the dead children he panics and tries to escape. They get him and the mob wants him dead. He demands to go to the police instead but the mob laughs. The head in charge says for him to go to a jail would be useless as he would be pardoned or escape. Hans says he can't help what he does. He tells the mob of criminals they should learn a trade or skill and that he can't help himself. He has no control over what he does. He says he tries to escape himself only to see the ghosts of those he has killed.
The head in charge says because Hans has to murder he himself must be executed. The mob agrees. The lawyer argues that Hans should be put in an asylum. He argues Hans isn't guilty because his compulsions are not voluntary. The lawyer keeps arguing for him to be handed over the police. They rush to Hans until off camera a police enters and everyone raises their hands. The ending has women lamenting no matter the verdict it won't bring their dead children back.
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